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Judicial Activism in the United States (English 103)

Paper details I am seeking someone to complete assignments for a research class. Over the course of the next five weeks, a proposal with an annotated bibliography, a draft, and a revised final draft based on the prompt, “Do you think courts should practice Judicial activism or not? In either answer, also specify what kind of limits you would like there to be either way” will be due. This order is for the first assignment, the research proposal w/ an annotated bibliography due July, 8th. The reason I ask for someone who can take on the future tasks is so the person assigned to this order will have a familiarity on the subject already established as well as to avoid any inconsistencies, as this is a research paper taken on a stance. My personal stance, as already declared in class, is that Judicial Activism is not only necessary, but inevitable depending on the matter, such as the emancipation of slaves and the abolishment of segregation; I would appreciate if the writer will be able to adopt this stance as well. For full instructions on this assignment, please see the word doc. “Research Proposal and Annotated Bibliography guidelines” attached. I will also include a multitude of articles in PDF discussing Judicial activism, six of which will need to be cited in this proposal as per the assignment instructions. For any questions at all, please feel free to ask. Thank you in advance!!

Writer’s Choice

Paper details This week we are looking at hybridity in film. In particular, we are watching The Battle of Algiers, a fictional film that uses Italian neorealist techniques to mimic documentary style footage. The other film, Waltz with Bashir, blends traditional documentary form with animation to create a nightmarish meditation on memory and institutional/personal amnesia of war. You are also going to be reading a lecture by Svetlana Alexievich as she explains her motivations behind capturing the Soviet and post-Soviet soul through her own hybrid work. (The essay can be found on pages 6-19 in the document. )

1) Does the switch from Rotoscoped to documentary footage at the end of Waltz with Bashir undercut the power/rhetoric of the animated medium? Does it show its limitations? Or does the break successfully shock the viewer out of a dreamlike state produced by the film? Why or why not?

2) Do you agree or disagree with the notion of this film being in the ‘shooting and crying’ genre? Does this film privilege the suffering of the shooter over the suffering of the victim?

3) In a world where suffering is wonton, quotidian, and often banal due to the easy accessibility of video news footage, does neo-realism or the hybrid style of Alexievich stand a chance? In other words, the mission is to shock the reader/viewer into collective action against injustice through fictional techniques that borrow from documentary. Do these styles still matter in the face of easy accessibility to violence?

Judicial Activism in the United States (English 103)

Paper details I am seeking someone to complete assignments for a research class. Over the course of the next five weeks, a proposal with an annotated bibliography, a draft, and a revised final draft based on the prompt, “Do you think courts should practice Judicial activism or not? In either answer, also specify what kind of limits you would like there to be either way” will be due. This order is for the first assignment, the research proposal w/ an annotated bibliography due July, 8th. The reason I ask for someone who can take on the future tasks is so the person assigned to this order will have a familiarity on the subject already established as well as to avoid any inconsistencies, as this is a research paper taken on a stance. My personal stance, as already declared in class, is that Judicial Activism is not only necessary, but inevitable depending on the matter, such as the emancipation of slaves and the abolishment of segregation; I would appreciate if the writer will be able to adopt this stance as well. For full instructions on this assignment, please see the word doc. “Research Proposal and Annotated Bibliography guidelines” attached. I will also include a multitude of articles in PDF discussing Judicial activism, six of which will need to be cited in this proposal as per the assignment instructions. For any questions at all, please feel free to ask. Thank you in advance!!

Writer’s Choice

Paper details This week we are looking at hybridity in film. In particular, we are watching The Battle of Algiers, a fictional film that uses Italian neorealist techniques to mimic documentary style footage. The other film, Waltz with Bashir, blends traditional documentary form with animation to create a nightmarish meditation on memory and institutional/personal amnesia of war. You are also going to be reading a lecture by Svetlana Alexievich as she explains her motivations behind capturing the Soviet and post-Soviet soul through her own hybrid work. (The essay can be found on pages 6-19 in the document. )

1) Does the switch from Rotoscoped to documentary footage at the end of Waltz with Bashir undercut the power/rhetoric of the animated medium? Does it show its limitations? Or does the break successfully shock the viewer out of a dreamlike state produced by the film? Why or why not?

2) Do you agree or disagree with the notion of this film being in the ‘shooting and crying’ genre? Does this film privilege the suffering of the shooter over the suffering of the victim?

3) In a world where suffering is wonton, quotidian, and often banal due to the easy accessibility of video news footage, does neo-realism or the hybrid style of Alexievich stand a chance? In other words, the mission is to shock the reader/viewer into collective action against injustice through fictional techniques that borrow from documentary. Do these styles still matter in the face of easy accessibility to violence?

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